La terre vue du ciel soundtrack download

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The album as a whole is a good solid listen. L'Orage Et La Baleine 03. The work presented a striking view of mankind's relationship with the earth.

Mid tempo strings accompany a female vocalist singing in an ancient Armenian dialect followed by the mournful sound of the doudouk. It's as if the people behind this project didn't trust their audience to understand what they're getting at. Модераторы имеют право уточнять нюансы этого требования в зависимости от специфики конкретных жанровых разделов. But there are two missteps. The score to the documentary Earth From Above clearly stands on its own.

While most of La Musique de la Terre Vue de Ciel is at least tolerable, this section seems to move into the realm of camp, and is frankly hard to take. Модераторы имеют право уточнять нюансы этого требования в зависимости от специфики конкретных жанровых разделов.

MUZLO STYLE - Filmmaker Renaud Delourme made a short documentary about Bertrand's photos for which Amar Armand composed the score. Filmmaker Renaud Delourme made a short documentary about Bertrand's photos for which Amar Armand composed the score.

The work presented a striking view of mankind's relationship with the earth. Filmmaker Renaud Delourme made a short documentary about Bertrand's photos for which Amar Armand composed the score. The score to the documentary Earth From Above clearly stands on its own. Since the film is comprised primarily of still photos, there are no major concerns with rhythms or timing within the film itself. Armand's score succeeds because of the solemn mood he creates to accompany the photos. To create the music Armand used only a handful of musicians and vocalists. The score is dominated by evocative strings, piano and wind instruments. With the addition of haunting vocals in different languages, the score becomes more of a meditative world music collaboration. At times it is reminiscent of the score to Baraka, another documentary exploring man's role in this world. Mid tempo strings accompany a female vocalist singing in an ancient Armenian dialect followed by the mournful sound of the doudouk. A piano-based melody recurs throughout the longer cues and helps establish the theme through the entire work. Even some of the longer cues occasionally segue into fast tempo string movements which possess a Phillip Glass-like quality, recalling his work on Koyaanisqatsi. The album as a whole is a good solid listen. But there are two missteps. It's as if the people behind this project didn't trust their audience to understand what they're getting at. If the photos some of which are included in the booklet and the music are unable to effectively convey the point, then no amount of words is going to do the job. It simply cheapens it. This minor complaint doesn't take away from the overall quality of the album, nor should the unfamiliarity of the project dissuade anyone from looking into it. The music is very much in the same vein as Lisa Gerrard and Phillip Glass. It's similar but treads its own ground.